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The one songwriting book which does specifically relate the well-known Myers-Briggs profiles to songwriting is Songcrafters' Coloring Book: The Essential Guide to Effective and Successful Songwriting. Most importantly, it is one of only two books that attempt to relate personality profiles to styles of songwriting. Like Sheila Davis' other books, the Idea Book offers a detailed and valuable toolset for any songwriter, particularly in the areas of creative process and idea generation. That book, along with "The Songwriters Idea Book" make a powerful combination for helping any songwriter move forward along his or her chosen path. This book makes mention of the Myers-Briggs personality types but does not really use them specifically. Davis instead uses an alternate but functional system of describing these preferences. The concept of a viewing songwriting through the lens of different personality types is powerful and revealing. The books that offer that perspective are essential additions to the songwriter's bookshelf.
let me explain. the good news is it is possible, the bad news it takes time and effort, so no book in the world will give you that.I have not finished this book but i must say i think it is great from my point of view, is it a style thing, most likely. hi, you are looking at this book as you neeed to write songs, either for your self or band etc, what has to happen first is an inner change, not only in mental organization but development of skills. good songs to me are imagination tempered with reason, imagination is purely a spiritual thing, so in order you write good songs you must develope your mind, your chakras, your very being. i have shela davis books, and they are wonderful, intelligent but a little rigid and school teacher like.which is still good, and i recommend her books. but i like this book more as it is more me, maybe its a male thing, maybe, but its also an esoteric thing. other wise you are just coming from either a mundane point of view, or ego, boring,,,,, the first exersice he gives you is similar to one found in rudolf stieners most illustrious book 'how to know higher worlds' so it is a teaching given by a clarevoyant super-genius. and the smartest man i have ever come accross, stiener that is.I think this Author so far is a human, a romantic and some one who allowes his mind to play, to exploreso yes i think it is a good book.
I hear this book is some kind of industry standard book for other musicians, and I enjoyed it.Like the other reviews said though, the 40 strategies are really 40 different types of songs you could write.i.e. "the childrens song" "breaking up" "the christmas song"The first couple of chapters describe what she calls "whole brain writing", and is actually very clever.This book helped me immensly, I just knocked a star off b/c of the bad title and I think it's too short.For the money though, you absolutely cannot go wrong.
It is not something that can be scanned. This book is the cure. In only a few short pages Davis introduces a lot of important concepts that need to be understood. I'm rather surprised by reading some of the negative comments below.
I had to read part two several times before I really understood it. My guess is that those people merely leafed through the book without actually reading it. This book is NOT an easy read. Ever had writer's block. She then proceeds to give exercises that make it easy to access the unused part of the brain. This is the section wherein Davis analyzes the different types of the creative mind.
The reader must take her tests and figure out which type he is. Then and only then is the book of value.
While ostensibly for the lyricist, I think the principles can be adapted for any kind of writing. Along with Davis' THE CRAFT OF LYRIC WRITING and SUCCESSFUL LYRIC WRITING, THE SONGWRITERS IDEA BOOK forms a brilliant trilogy that is essential for the person who wants to write lyrics.
But once I had a firm grasp of those ideas, I found the book to be extremely valuable. It must be read and studied very carefully.
It is very important to understand part 2 of the book (pages 15 through 34) before moving ahead. Davis basically says that when one is blocked, that he needs to come at it from the other side of the brain.
I think this is a great book and I am grateful to Sheila Davis for writing it.
The "40 strategies" is really no more than a catalog of 40 general types of lyrics, i.e. Pro: Excellent catalog of types of lyrics. people get hit songs from: a holiday, a place, a town, a love lost, love gained, etc. Also good coverage of different elements that make hit songs. Con: The title is misleading. Some useful ideas, but I was hoping for something more like writing or brainstorming exercise to open the imagination. This book was not at all useful for me.
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